![]() For starters, we’re changing the balance of a full stereo mix using EQ, rather than adjusting the mix balance using the individual channel gains/faders. But there are some important modifications. In 2017 I took the technique to another level and wrote an article again for Sound On Sound entitled DIY Mastering Made Easy using the same principles but this time to master music.Ĭonceptually, the thinking is similar to the ‘pink noise’ mix technique I described in SOS December 2014, as it involves using a pink-noise reference. I found a quick and easy way to balance your mixes, irrespective of track counts, and get a ballpark level mix. This article took the original principles and expounded them to include mixing. I then took it a step further and wrote an article for Sound On Sound Magazine entitled Mixing to a Pink Noise Reference. Over a decade ago I wrote an article on my website on the subject of using pink noise to gain stage your DAWs channels. DIY Mastering using Pink Noise is a detailed video tutorial explaining how to use pink noise as a reference to master mixes within the DAW both quickly and efficiently.
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